Sete France Riviera

552 Cruises availables At departure or passage at this port

Celestyal Cruises (23 Cruises)

Celestyal Discovery

1828 Passengers
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Oceania Cruises (55 Cruises)

Oceania Allura.

Oceania Allura

1200 Passengers
68000 tons
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Regent Seven Seas Cruises (33 Cruises)

Seabourn Cruise Line (61 Cruises)

Seabourn Ovation.

Seabourn Ovation

40350 tons
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Silversea Cruises (22 Cruises)

Viking Ocean Cruises (323 Cruises)

Viking Jupiter1

Viking Jupiter

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Viking Neptune1

Viking Neptune

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Viking Saturn.

Viking Saturn

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viking sea.

Viking Sea

48000 tons
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Viking Sky.

Viking Sky

48000 tons
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Viking Star

Viking Star

47800 tons
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Viking Vela.

Viking Vela

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Frequently Asked Questions

At the Quai d'Alger, on the immediate edge of the centre. Five to ten minutes on foot brings you to the Canal Royal, among the coloured facades and moored boats.
The Canal Royal and the covered market on foot, then the climb to Mont Saint-Clair on the number 3 bus. Those two halves fill the day. The excursion to Bouzigues, across the lagoon, needs more time.
Because it is stitched with waterways crossed by twelve bridges, stacked between its hill and its lagoon, between the Mediterranean and the Étang de Thau. The phrase captures the island pride of this town of fishermen, poets and singers, created in the 17th century to give the Midi canal a sea outlet.
A tradition alive since 1666, contested in summer on the Canal Royal: two boats driven at each other, jousters perched on their platforms, and the whole town holding its breath. If your call falls during the jousts, look no further.
A fishing village within the city, up toward the lagoon: huts, nets hung to dry, watchful cats. Immortalised by Agnès Varda's first film, the quarter seems to ignore the century passing on the other side of the bridge.
On the number 3 bus, which reaches its approaches, or on foot up a steady climb. The panorama takes in the roofs, the beaches, the Étang de Thau and the Mediterranean as far as the eye can see.
The cemetery terraced on the hillside facing the sea, where Paul Valéry, a son of Sète, lies in the very setting of his most famous poem. The museum bearing his name stands alongside, and a little below is the Théâtre de la Mer, built into an old fort facing the water.
The tielle, an octopus and tomato pie the bakeries still sell warm, and oysters from the Étang de Thau, raised in the beds visible from the heights. Another institution: the macaronade, a baked pasta dish Sète families defend with cheerful bad faith. The covered market gathers the best of all of it.
The singer was born here, and the Espace Georges-Brassens is devoted to him, with the poet's voice accompanying the visit. As the ship leaves and the singular island folds behind its breakwater, one of his songs tends to come back.
Yes, two that are nothing alike: the Musée Paul-Valéry on the hill, and the MIAM, the museum of modest arts, which cultivates whimsy downtown. Walkers may prefer to follow the corniche toward the beaches.